Planning Questions

How will your media product (thriller film) represent particular social groups (target audience/age groups etc.)?

Our film will represent young people, because our film included topics that teenagers are curious about. As a result of this they would enjoy this film as it will include popular topics that are seen as exciting by young people.

In what ways will your media product use, develop or challenge forms and conventions of real media products?

Our thriller film will use, develop and challenge real forms and conventions of real media products by using suspenseful music, to create a thriller kind environment to keep the viewer on the edge of their seats. It will also challenge the conventions of real media products as the the age of the characters will be young to relate to young people. One example of a thriller film that use young people is Super8.

Who will be the audience for your media product?

Our target audience for our thriller film will be 16 to 24 year olds. We have decided to target our films at this age range because movies are popular amongst the age group. Moreover 16 to 24 year olds visit the cinema the most because they have the most disposable income.  

What kind of media institution might distribute your media product and why?

Our group would prefer 20th Century Fox, an American distribution centre, to distribute our thriller film. We would prefer this because is a renowned and estrablished film distribution company, who are known accross the world. Furthermoreit has a larger market than any other UK distribution center.  

How will you attract/adresss your target audience?

In order to attract and adress our tardet audience We will create a page for our thriller film on IMDB. Our page will have a plot summary, the trailer, prictures, a list of the cast and crew and a clip of the film.

 

 

 

BBFC

 Universal - Suitable for evryone

A ‘U’ film should be appropriate for audiences aged four years and over.

·     No discriminatory language or behaviour unless clearly disapproved of.

·     No references to illegal drugs or drug misuse unless they are rare and inoffensive, or there is a clear educational purpose or anti-drug message suitable for young children.

·    Scary sequences should be mild, brief and unlikely to cause unnecessary anxiety to young children. The outcome should be reassuring.

·    No possibly dangerous behaviour which young children are likely to copy. No emphasis on realistic or easily accessible weapons.

·     Infrequent use only of very mild bad language.

·    Occasional natural nudity, with no sexual context.

·    Slight sexual behaviour (for example, kissing) and references only (for example, to ‘making love’).

·    While problematic themes may be present, their treatment must be sensitive and appropriate for young children.

·    Mild violence only. Occasional mild threat or menace only.

 Parental Guidance

‘PG’ rated films are for general viewing, but some scenes may be unsuitable for young children.

Unaccompanied children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are advised to consider whether the content may upset younger or more sensitive children.

 

 

·    Discriminatory language or behaviour is improbable to be acceptable unless clearly disapproved of or in an educational or historical context.  Discrimination by a character with which children can readily identify is unlikely to be acceptable.

·    References to illegal drugs or drug misuse must be harmless or carry a suitable anti-drug message.

·    Frightening works should not be lengthy or powerful. Fantasy settings may be a justifying factor.

·    No detail of potentially dangerous behaviour which young children are likely to copy. No glamorisation of realistic or easily accessible weapons.

·    Mild bad language only for example ‘stupid’.

·    Natural nudity, with no sexual context.

·    Sexual activity may be indirect, but should be unnoticeable and rare. Mild sex references and innuendo only.

·    Where more serious issues are featured (for example, domestic violence) nothing in their treatment should overlook unacceptable behaviour.

·    Moderate violence, without detail, may be allowed, if justified by its context (for example, history, comedy or fantasy).

Suitable for 12 years and over

 

The ‘12A’ category is only used for cinema films. No one younger than 12 may see a ‘12A’ film in a cinema unless accompanied by an adult (18 and over) and films classified ‘12A’ are not recommended for a child below 12. An adult may take a younger child if, in their judgement, the film is suitable for that particular child. In such circumstances, responsibility for allowing a child under 12 to view lies with the accompanying adult.

The ‘12’ category is only used for video works. No one younger than 12 may rent or buy a ‘12’ rated video work.

 

·     Discriminatory language or behaviour must not be permitted by the work as a whole. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned.

·    Any misuse of drugs must be uncommon and should not be glamorised or give instructional detail.

·    Moderate physical and psychological threat may be permitted, provided disturbing sequences are not frequent or continued.

·    Dangerous behaviour (for example, hanging, suicide and self-harming) should not reside on detail which could be copied, or appear pain or harm free.  Easily accessible weapons should not be glamorised.

·    Moderate language is allowed. The use of strong language (for example, ‘fuck’) must be occasional.

·    Nudity is allowed, but in a sexual context must be brief and discreet.

·    Sexual activity may be temporarily and discreetly portrayed. Sex references should not go beyond what is suitable for young teenagers. Frequent crude references are unlikely to be acceptable.

·    Mature themes are acceptable, but their treatment must be suitable for young teenagers.

·    Moderate violence is allowed but should not dwell on detail. There should be no importance on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly specified, and must have a strong contextual justification.

Suitable for '15' years and over

No one younger than 15 may view a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.

 

·    The work as a whole must not endorse discriminatory language or behaviour.

·    A ‘15’ film permits drug taking but as a whole must not promote or encourage drug misuse.

·    Strong threat and menace are permitted unless sadistic or sexualised.

·    Dangerous behaviour (for examples suicide) should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised.

·    There may be frequent use of strong language may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.

·    Nudity may be allowed in a sexual context but without strong detail.

·    Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.

·    Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable.

Suitable for adults

No-one younger than 18 may see an ‘18’ film in a cinema. No-one younger than 18 may rent or buy an ‘18’ rated video.

 

 

where the works is in breach of the criminal law, or has been created through the commission of a criminal offence

• where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, illegal drug use and sexualised violence.
• where there are more explicit images of sexual activity which cannot be justified by context.

Where sex material genuinely seeks to inform and educate people in human sexuality, safer sex and health, explicit images of sexual activity may be permitted.

 To be shown only in specially licensed cinemas, or supplied only in licensed sex shops, and to adults of not less than 18 years.

The ‘R18’ class is a special and legally restricted classification mainly for explicit works of consenting sex or strong fetish material involving adults. Films may only be shown to adults in specially licensed cinemas, and video works may be supplied to adults only in licensed sex shops. ‘R18’ video works may not be supplied by mail order. The following content is not acceptable:

• any material which is in breach of the criminal law, including material judged to be obscene under the current interpretation of the Obscene Publications Act 1959
• material (including dialogue) likely to encourage an interest in sexually abusive activity (for example, paedophilia, incest or rape) which may include adults role-playing as non-adults
• the portrayal of any sexual activity which involves lack of consent (whether real or simulated). Any form of physical restraint which prevents participants from indicating a withdrawal of consent
• the infliction of pain or acts which may cause lasting physical harm, whether real or (in a sexual context) simulated. Some allowance may be made for moderate, non-abusive, consensual activity
• penetration by any object associated with violence or likely to cause physical harm
• any sexual threats, humiliation or abuse which does not form part of a clearly consenting role-playing game. Strong physical or verbal abuse, even if consensual, is unlikely to be acceptable.

These Guidelines will be applied to the same standard regardless of sexual orientation.

How has the Thriller changed over time?

Over the past 80 years the thriller genre has changed a lot, this could be the result of an advance in technology and audience as well as the narrative.

Thriller films that were produced during the 1940 to the early 1970s were based on peoples actual fears. These fears were considered realistic and could happen to a citizen living at that time. An example would be 'Psycho' (1960) which was directed by Alfred Hitchcock, a notable thriller director.
The film shows a woman who wants to be with the man she loves, however she is being held back due to his current financial status. Therefore she steals money from her employer and runs away to her partner. On the way she is stops at a hotel where is killed. This is a realistic situation as it can happen to anyone, there are no monsters or other ficticious characters.

In recent thriller movies have many sub-genres such as psychological, politcal and conspiracy.  

Thriller Sub Genres

Within the thriller genre there are other genres which include fundamentals of other genres.

Conspiricy Thriller

This thriller includes a hero/heroine who challanges a large group of enemies whose true extent on he/or knows. Films such as Awake, Enemy of State and the Da Vinci Code are all conspiricy thrilers. 

Crime Thriller

This sub genre is a mixture of crime and thriller that gives a suspensful version suspenseful account of a successful or failed crime or crimes. These films often focus on the criminal(s) rather than a policeman. Crime thrillers often highlight action. Central topics of these films include serial killers/murders, robberies, chases, shootouts, heists and double-crosses. Some examples of crime thrillers involving murderers include, Seven, No Country for Old Men and Silence of the Lambs.

Erotic Thriller

This thriller consists of erotica and thriller. It has become popular since the 1980s and the rise of VCR market diffusion. The genre includes such films as Basic Instinct, Color of Night and Dressed to Kill.

Legal Thriller

In  leagal thrillers the lawyer heros or heroines challange enemies outside the courtroom as well as inside. The lawyers are in danger of loosing their court case and their lives. Examples of legal thrillers are The Runaway Jury, The Client and Fracture.  

Political Thriller

In this thriller the hero/heroine has to garantee the solidity of the government who has employed him/her. Examples of successful political thrillers are  Seven Days in May (1962) by Fletcher Knebel, The Day of the Jackal (1971) by Frederick Forsyth, and The Manchurian Candidate (1959) by Richard Condon.

Psychological Thriller

In this thriller the battle or struggle between the characters are mental and emotional, rather than physical. Usually characters are forced into dangerous, sometimes life threatening situations by accident, because of their curiousness. As the charcters in this thriller are not able to resolve the situation they try to rely on their mental ability. In the suspence used in psychological thrillers are often attacking one others mind, either by playing isllusive mind games or by trying to destroy their mental states. Popular examples of psychological thrillers are the Alfred Hitchcock films Suspicion, Shadow of a Doubt, and Strangers on a Train and David Lynch's bizarre and influential Blue Velvet are notable examples of the type, as are The Talented Mr Ripley, The Machinist, Trapped, Flightplan, Shutter Island, Phone Booth, Panic Room, The Good Son and Funny Games.

What is a Thriller film?

Thrillers are a genre of literature, film, and television programming that incorperates suspense, tension, and excitement as the main features.
 In the thriller genre creepy menace , sudden violence, crime and murder often make up the characteristics of the film. They are also usually adreniline rushing, gritty, rousing and fast paced.

The settings in thriller films are usually dark, corrupt and dangerous.

The common characters used in the triller genre are criminals, stalkers, assassins, individual, terrorists, cops, escaped convicts, private eyes and people invovled in twisted realtionships.

Thriller Directors

Alfred Hitchcock

Alfred Joseph Hitchcok was born on August 18th 1899 in Leytonstone, London, England, UK.

His interest in movies began by, frequently visiting the cinema and reading US trade journals.
Lasky were to open a studio in London and managed to secure a job as a title designer. He designed the titles for all the movies made at the studio for the next two years. In 1923, he got his first chance at directing when the director of Always Tell Your Wife (1923) fell ill and Hitch completed the movie.    

http://movies.toptenreviews.com/directors/reviews/d18440.htmThis was the starting point in Hitchcoks career. He then went on to direct some of  the most  famous thriller films; such as; Rear Window (1954), Psycho (1960), Vertigo (1958) etc.

  Steven Spielberg                                 

 Steven Allan Spielberg was born on 18th December 1946 in         
 Cincinnati, Ohio, USA. Spielberg attended California State

 Long Beach, however he left early to pursue a career inentertainment.

 He recieved a good reputation after he worked as an uncredited 

 assistant editor in the western classic 'Wagon Train' (1957).

 His earlist movie as a director  was Battle Squad (1961) which used  World War II footage of an airplane on the ground, however Speilberg makes the viewer belive the plane is moving.  

 

What makes a good Thriller film

This afternoon in media studies I have been researching 'what makes a good thriller film'. I came across  the website http://www.familyvideos.co.uk/what-makes-good-thriller.html which gave five factors on how to make a good thriller film. They are:

1. Creating a sense of  danger - Creating a character who finds themselves in a dangerous situation.
2. The importance of pace - It should be at a fast pace as it shouldn't waste time.
3. The balance of Power -  Villans power is shifted
4. Twists and turns - Make the audience believe in false security.
5. Character growth - Audience understands all the strengths and weaknesses of the characters including villans